EFFECTS PEDALS & ELECTRONICS

DOD PHASOR • Rare vintage 1970s phaser pedal
Pre-owned
£120.00

Key Specs:
Type: Analog Phase Shifter.
Circuitry: Generally 2-stage (201) or 4-stage (401) design.
Controls: Single “Speed” knob (some models/reissues also allow for internal trim adjustments).
Power: Typically 9V battery or 9VDC adapter (Centre positive).
Input/Output: 1/4″ mono instrument jacks.
Chassis: “Big Box” aluminum casing, often gray or black in the earliest models.

Key Features:
Warmth: Known for a subtle, musical modulation rather than an over-the-top effect.
Vintage Flavor: A staple of early 1970s analog design, often considered a rival to MXR Phase pedals of the era.
Durability: Solid, heavy-duty construction designed for rugged, live use.

MXR • DYNACOMP
Pre-owned
£69.00

The original model, featuring controls for Sensitivity (compression ratio) and Output (volume).
Bypass: True Bypass (Hardwire)
Power: 9V battery or AC adapter (ECB003)
Current Draw: 3.3 mA
Max Compression: 36 dB
Attack/Release: ~5 ms attack, ~1 s release
Dimensions: 6.4 cm (W) x 3.2 cm (H) x 11.5 cm (D)
Weight: 0.38 kg

PALMER POCKET AMP MK2
Pre-owned
£65.00

The Palmer Pocket Amp MK 2 (Model: PEPAMP MK II) is a portable, solid-state guitar preamp and DI box designed for direct recording, practice, and live performance. It features authentic tube amplifier simulations and speaker cabinet emulation in a compact, die-cast aluminum enclosure.

Key Features
Amp Simulations: Three selectable amplifier designs (Vintage Tweed, Modern British, and USA-style).
Modes: Each amp has three channels: Clean, Crunch, and Heavy (High Gain).
Mic Simulation: Three microphone positioning modes to alter tone:
Classic: Clear sound with balanced mids.
Centre: Emulates an SM57, adding high-mids and treble.
Off-Axis: Reduces harshness for a smoother, mid-forward tone.
Connectivity:
Input: 1x 6.35 mm Jack (1 MΩ impedance).
Outputs: Balanced XLR (DI), 6.35 mm Jack (Unbalanced), and 3.5 mm Headphone Jack.
Aux Input: 3.5 mm stereo input for connecting MP3/CD players for practice.
Controls: Gain, Drive, Level (Volume), Bass, Treble, Amp Select, Mode, Mic Position, and Ground Lift switch.
Power: 9V DC block or optional 9V DC power adapter (30mA).

Technical Specifications
Technology: Solid State (Pure Analogue)
Cabinet Material: Die-cast Aluminum
Dimensions: 98 x 54 x 98 mm (approx. 100 x 55 x 100 mm)
Weight: 360 g – 370 g
Output Impedance: 510 Ω
Input Impedance: 1 MΩ

LOGJAM LOGARHYTHM
Pre-owned
£65.00

The Logjam Logarhythm is a foot-activated percussion instrument (often called a “stomp box”) designed to generate kick drum sounds when tapped with the foot. Unlike electronic drum machines, it is an acoustic-electric instrument that requires no batteries; it uses an internal dynamic microphone capsule to capture the impact of the foot on a solid wooden body and outputs the signal via a standard 1/4″ jack to a PA system or amplifier.

How It Works
The device functions as a standalone rhythmic tool rather than a guitar effects pedal. Musicians place it on the floor and tap their foot in time with their music to create a beat. The sound character is highly variable based on footwear and stomping location:
Footwear Influence: Hard leather soles produce a sharper, “toppy” sound, while trainers or thick rubber soles create a warmer, deeper tone.
Tonal Variation: The Logarhythm Mk4 features an internal chamber design that allows players to produce different volumes and tones by stomping on the left side (softer, warmer) or the right side (louder, more punch).
Amplification: When plugged into an amp, users are advised to boost the bass and reduce treble/mid tones to achieve a round, bassy kick drum sound.

BOSS • MEGA DISTORTION MD-2
Pre-owned, excellent condition
£60.00

The BOSS MD-2 Mega Distortion is a high-gain analog pedal designed for modern metal and hard rock, distinguished by its massive low-end response and unique dual-stage circuit that generates distortion without traditional clipping diodes.

Technical Specifications:
The pedal features a robust metal chassis typical of BOSS compact units, with side-mounted jacks and buffered bypass. It operates on a standard 9V power supply and draws 18 mA of current.
Feature Specification
Circuit Type Analog (Dual-stage distortion, no clipping section)
Controls Level, Tone, Distortion, Bottom, Gain Boost, Pedal Switch
Input Impedance 1 M ohms
Output Impedance 1 k ohms
Nominal Level -20 dBu (Input & Output)
Noise Level -110 dBu (IHF-A, Typ.)
Power Supply 9V DC (Center Negative) or 9V Battery
Current Draw 18 mA
Battery Life ~19 hrs (Carbon-zinc), ~38 hrs (Alkaline)
Dimensions 73 mm (W) x 129 mm (D) x 59 mm (H) (2-7/8″ x 5-1/8″ x 2-3/16″)
Weight 410 g (15 oz)
Connectors 1/4″ Input, 1/4″ Output, DC In

TECH 21 FLY RIG EFX SANSAMP
Pre-owned, excellent condition
£190.00

The Tech 21 Fly Rig series utilizes an all-analog SansAmp tube amplifier emulation circuit at its core, providing a complete signal chain from pre-amp to power amp and speaker simulation. While specific features vary by model (Guitar, Bass, or Acoustic), the series is defined by its compact floorboard design (approx. 12.5” L x 2.5” W x 1.25” H) and ability to function as a direct-in (DI) unit for PA systems or recording desks.
Core SansAmp & Tone Controls
Analog Circuitry: The heart of every Fly Rig is the SansAmp, offering tube amp emulation with a built-in, smooth speaker simulation that can be defeated if desired.
EQ: Most models feature a 3-band active EQ (Low, Mid, High) with +/- 12dB boost/cut. The Acoustic model includes a sweepable Notch Filter (70Hz–350Hz) for feedback suppression and a Low-Pass Filter (16kHz–1.5kHz).
Character Modes: The Bass Fly Rig V2 offers a switch between SansAmp Bass Driver DI and VT Bass DI (Ampeg-style) tones. The Guitar Fly Rig 5 V2 allows switching between Plexi (Marshall-style) and Cali (boutique high-gain) distortion modes.
Effects & Signal Processing (EFX)
Drive/Distortion: Independent Drive and Level controls allow for clean-to-dirty transitions. The Guitar V2 includes a Boost function (up to 12dB) and a Bite switch for presence enhancement.
Modulation/Delay: Models include Delay (tape-echo style with Tap Tempo and Drift modulation) and Reverb (independent footswitchable reverb with room size selection on V2 models).
Additional EFX: The Bass model includes Octafilter, Fuzz, and Chorus. The Acoustic model features Compression (FET-based) and Chorus/Reverb/Delay options tailored for acoustic nuances.
Connectivity & Power
Inputs/Outputs: Standard inputs include a 1/4” jack (impedance varies by model: 1 Meg Ohm for Guitar/Acoustic, 4.7 Meg Ohm for Bass to preserve piezo tone). Outputs include a 1/4” low-impedance line out and an XLR output (with ground lift switch on most models).
Effect Loop: The Fly Rig 5 V2 and Bass Fly Rig V2 include a send/return loop for integrating external pedals.
Power: Runs on a 9V DC power supply (200mA–250mA depending on model). The units are not battery-operable and include universal auto-switching power adapters (100V–240V).
Tuner: All models feature a chromatic tuner accessible via a footswitch, which mutes the signal path when engaged.

WEM • WATKINS COPICAT
Pre-owned, fully working
£500.00

The WEM Watkins Copicat is a vintage tape echo unit created by Charlie Watkins in the late 1950s, evolving from valve-powered Mk I and Mk II models to solid-state Mk IV and Super IC versions. It operates using an endless loop of magnetic tape passing over a record head and multiple playback heads, where the distance between heads determines the delay time and the number of selected heads determines the number of repeats.

Key technical specifications and features include:
Signal Path: Uses a 44kHz bias oscillator to modulate the signal for recording, with playback heads feeding into an Echo (volume) control and a Reverb/Sustain control that feeds the signal back to the record head for feedback loops.
Controls: Typically features Echo (record volume), Repeats (feedback), Echo Repeats, Tone controls (Bass/Treble), and a Varispeed control for pitch/delay modulation.
Head Configuration: Early models had 3 playback heads with push-button selection; later models like the Super IC added a fourth head for longer variable delays.
Input/Output: Standard quarter-inch jack connectors, with inputs switchable between high impedance (guitar) and low impedance (microphone/line).
Power: Original units often used 2-core ungrounded mains cables (a safety hazard requiring conversion to 3-core earthed), while later models like the IC400 utilized belt drive mechanisms.

Boss RC-10R Rhythm Loop Station – Boxed with power supply
Pre-owned, excellent condition
£210.00

The Boss RC-10R Rhythm Loop Station is a stereo loop pedal featuring 32-bit AD/DA conversion, 32-bit floating-point processing, and up to 6 hours of stereo recording time. It includes 99 phrase memory slots, over 280 preset rhythm styles across 16 drum kits, and supports serial two-track operation synced to the rhythm engine.
Key Specifications
Dimensions: 101 x 138 x 63 mm
Weight: 620 g
Display: Backlit LCD with two circular indicators for loop/rhythm status
Inputs: 2x 6.3 mm jack (Input A / Mono & B), 6.3 mm stereo jack (Ctl 1,2 / Exp)
Outputs: 2x 6.3 mm jack (Output A / Mono & B) with selectable tone filters for amp/PA optimization
Connectivity: Full MIDI I/O via 2x 3.5 mm stereo pawl jacks; No USB connector for audio data (software editor used for SMF/WAV import)
Power: Coaxial connector (5.5 x 2.1 mm, negative polarity inside); 250 mA current consumption
Controls: Loop/Rhythm footswitches, Value/Rhythm Level/Loop Level knobs, Menu/Exit push buttons
Storage: 99 phrase memories, 50 user rhythm locations
The unit operates on 9 Volts and does not include an XLR input or USB audio interface. It is designed to allow separate output routing for guitar signals and rhythm tracks, optimizing sound for guitar amplifiers or full-range systems.

MXR DISTORTION+ • VINTAGE ANALOGUE DISTORTION PEDAL
Pre-owned – we have replaced the original centre-positive power supply input with one which conforms to the modern standard, i.e. Centre-Negative.
£120.00

The MXR Distortion + (model M104), released in 1974, is a classic distortion pedal originally designed by MXR Innovations (now under Dunlop). It is widely considered one of the first dedicated distortion stompboxes and is renowned for its simple circuitry and ability to drive tube amplifiers into natural-sounding overdrive and distortion.
The pedal features a minimalist design with only two controls: Distortion (which increases gain and treble) and Output (which sets the overall volume). Internally, it uses a single op-amp and a pair of germanium diodes for hard clipping, creating a signature sound that ranges from warm blues overdrive to crunchy hard rock tones. It does not have a dedicated tone control, relying on the interaction with the amplifier’s EQ.

Key Characteristics:
Tone Profile: Delivers soft-clipped distortion that preserves the character of the amp, transitioning from mild overdrive to heavy fuzz-like distortion as the gain is increased.
Notable Users: Famously used by Randy Rhoads (Ozzy Osbourne), Jerry Garcia (Grateful Dead), Slash (Guns N’ Roses), Dave Murray (Iron Maiden), and Thom Yorke (Radiohead).
Power: Operates on a standard 9-volt battery or an AC adapter (not provided)

M-VAVE MINI UNIVERSE • DIGITAL REVERB
Pre-owned
£45.00

Specifications
Model Number: MINI-UNIVERSE
Effect Type: Digital Reverb
Number of Reverb Effects: 9
Room, Hall, Plate, Spring, Shimmer, Cloud, Bloom, Swell, Lofi
Signal Format: Digital (with analog signal path)
Bypass Type: True Bypass (minimizes tone loss when disengaged)
Construction: High-grade metal enclosure for durability.
Dimensions: 112mm x 68mm x 40mm (4.4″ x 2.68″ x 1.57″)
Approx. 5″ x 3″ x 2″

ELECTRO-HARMONIX • LPB-1 LINEAR POWER BOOSTER
Pre-owned
£55.00

The Electro-Harmonix Nano LPB-1 Power Booster is a reissue of the original LPB-1 that introduced overdrive in 1968.
Put this in line before any effect to provide boost and definition and improve the gain, saturation and presence of your amp.
Housed in a compact, die-cast box with rounded corners to save valuable pedalboard space.

Fender Channel Select/Effects 2 Button Amplifier Footswitch
Pre-owned
£45.00

QUAD 306 POWER AMPLIFIER
Pre-owned
£260.00

NB: Postage to UK only.
Can be viewed and tried at our premises.
Questions welcome.
Lots of other cool items for sale, come and visit!

Key Technical Specifications
* Power Output: 50 Watts per channel into 8
Total Harmonic Distortion:
* 0.01% (at 100Hz–10kHz at 50W).
* Frequency Response: -0.25dB at 20Hz and 20kHz, 13Hz to 40kHz (-1dB).
* Input Sensitivity: 375mV.
* Signal to Noise Ratio: -105dB (unweighted).
* Crosstalk: 85dB at 1kHz.
* Input Impedance: 20k

* Dimensions: 321(W) x 64(H) x 207(D) mm.
* Weight: 4.62 kg.
* Stability: Unconditionally stable with any load and any signal.

Features
* Output Circuit: Patented Current Dumping.
* Inputs: RCA Phono Sockets.
* Outputs: 4mm Banana Sockets.
* Protection: Resettable thermal trip (push button on back).
* Construction: Front-mounted heatsink, often paired with the Quad 34 or 44 pre-amplifier.

BOSS ME-70
Multi-FX
Pre-owned
£140.00

Dedicated knobs for each parameter for fast, friendly operation •
New COSM Preamp section derived from GT-10 & Legend series •
EZ TONE for quick, easy editing •
Four footswitches and Expression pedal •
PHRASE LOOP function in DELAY section, with 38 seconds of recording time •
Battery or AC (optional PSA-120s) operation •

ZOOM PLAYER PRO 4040 •
Multi-FX Pedalboard with new PSU
Pre-owned, appears to be fully operational
£75.00

The Zoom Player Pro 4040 is a guitar multi-effects processor featuring 25 built-in individual effects that can be combined in patches of up to six. It offers 80 total patches (40 presets and 40 user memories) and includes integrated volume and expression pedals for real-time control during performance.

Key technical specifications include:
Audio Quality: 16-bit resolution with 64-times oversampling and a 4th-order ΔΣ converter for A/D conversion, paired with an 8-times interpolation filter for D/A conversion.
Sampling Frequency: 31.25 kHz.
Effects Engine: Utilizes analog circuitry for compression and distortion to ensure rich sustain, alongside digital modules for modulation, delay, reverb, and EQ.
Connectivity: Features MIDI OUT for external device control, send/return jacks for external effects, and a control out for switching guitar amp channels.
Additional Features: Includes an auto-chromatic guitar tuner and supports the optional FS01 foot switch for individual effect on/off switching.

DUNLOP • CRY BABY WAH-WAH PEDAL
Pre-owned
£65.00

The Legend!

LINE 6 • GUITAR PORT
USB Interface

£29.00

Pre-owned

Vintage USB Interface: Connects your guitar to PC/Mac via USB •
Provides digital modeling of classic amps (like Fender, Mesa Boogie) and cabinets, plus stompbox effects •
Integrated player for MP3/CDs, allowing pitch-independent slowing, looping, and hum reduction •

BEHRINGER • UC200 • ULTRA CHORUS
Pre-owned
£20.00

• Stereo Output: Allows for wide, immersive soundscapes with two amps.

Controls: Dedicated knobs for Level, Tone, Rate, and Depth for precise sound sculpting.
Bypass: Electronic on/off switch maintains signal integrity when bypassed (True Bypass).
LED Indicator: Shows effect status and battery level.
Power: 9V battery or optional PSU-SB power supply (sold separately).

DONNER • LAX COMP
Compressor Pedal
Pre-owned
£40.00

An affordable, analogue guitar/bass pedal designed as a “relaxed” peak limiter, aiming for classic studio compression and mimicking the sound of the famous UA 1176-style compressor.

VOX • ToneLab ST • Amp Modeller
Pre-owned
£100.00

ToneLab ST
The ToneLab ST is a compact unit with an expanded library of 33 amp models and 11 cabinet types.
It offers 100 program memories (50 preset, 50 user) and 24-bit signal processing.
It connects via USB for audio interface and software editing, unlike the MIDI/S/PDIF focus of the LE/SE.
It includes 11 pedal effects, 11 modulation, and 3 reverb types.
Dimensions are 270 x 180 x 70 mm and it weighs 1.6 kg.